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Ian Anderson, leader, flautist and multi-instrumentalist of Jethro Tull, just embarked on a solo tour. He set it up as an intimate affair, with some audience participation. He had a local radio announcer onstage with him to do some interviewing, and bring some people up onstage to ask some questions.
I enjoyed the format, since Ian is a funny guy, and I like to hear stories and learn about artists and their craft. Much of the audience (or maybe it was a vocal minority) didn't care for the talking and wanted to hear more music. The music was a bit loose. The musicians seemed somewhat amateur, they were jetlagged, it was the opening night of the tour, it was quiet and acoustic, etc. The musicians were a keyboard/accordion player, a drummer, an acoustic guitarist (who had obviously studied and played classical guitar), and a bassist who is a respected proctologist (there's a joke about bassist and their strong fingers, someplace in there).
The selection of songs was great. Ian played many songs that he seldom or maybe had never played. He opened with his flute, playing to a backing track. It was representative of all things Tull and Anderson (at least in latter years), sort of an "Ian Tull Overture." After that, the first song he played was "Life's A Long Song." I was blown away, since that is not a well-known song, and is one of my most favorites. The next song was "Skating Away" - another one of my favorites. If I had to narrow it down to two songs that I'd want to hear, those would be them. He also played, "Fat Man," "Christmas Song," "Cheap Day Return," "Mother Goose," an excerpt from "Thick as a Brick," and several of his own songs. And a jazzy version of "Locomotive Breath."
One audience member asked Ian about his voice. He had surgery for polyps, back in the mid-eighties, and his voice hasn't been the same since. I've thought it's been improving, slightly, and Ian confirmed that. He explained that the throat muscles are used quite differently for singing than they are for playing the flute, and that is quite hard on his voice. When he is recording, he won't even sing and play the flute on the same days. He has no such luxury when he is touring, though.
An answer to another question dealt with his desire to be a policeman, which was sidetracked by his budding musical career.
Ian once injured his wrist, and it still bothers him sometimes. Because of this old injury, handshakes can cause him pain that can linger for a while, so he has taken up the elbow rub as his form of greeting - hence the name of the tour. It did sometimes look like a square dance step, though.
Another thing Ian is doing on this tour, is inviting local musicians to play. Daryl Stuermer and Willy Porter played songs. Steurmer plays with Genesis on tour, and with Phil Collins both on tour and in the studio. He is good. Just a little dull (like he's learned too much from Phil Collins) but very good nonetheless. His song featured the lone electric guitar for the evening. Willy Porter has toured with Tull (and has played with Tori Amos), and Ian plays on a song on his latest record. They played that one. It was just Willy and Ian. Willy is an amazing acoustic guitarist, but he also has an awesome voice, and is a great songwriter.
The intimate setting seemed to give certain loud people the idea that they could shout anything they wanted and Ian and the whole audience would hear, and enjoy their humor. If it were a loud rock concert, they would hardly be heard, and I could have ignored them easily, but it wasn't and I couldn't. And there was an embarrassing episode near the end of the first half, that involved a pushy local "celebrity" who changed the focus of the show from Ian to himself for about ten minutes. And through the whole second half, someone was breathing on me. It was not pleasant. All of that almost ruined the show for me.
The show got a bit rushed at he end, as they ran out of time. The conversation ended up taking more time than they expected, I'd guess, and it was the first show of the tour, and they had a lot of bugs to work out, and things to refine. I would recommend the show, highly, to any hardcore Tull fan.
"After 35 years of being THE flute player in rock music to a lot of people," he said, "I have to regard it as personal failure that it has not inspired hundreds of others."
I enjoyed the format, since Ian is a funny guy, and I like to hear stories and learn about artists and their craft. Much of the audience (or maybe it was a vocal minority) didn't care for the talking and wanted to hear more music. The music was a bit loose. The musicians seemed somewhat amateur, they were jetlagged, it was the opening night of the tour, it was quiet and acoustic, etc. The musicians were a keyboard/accordion player, a drummer, an acoustic guitarist (who had obviously studied and played classical guitar), and a bassist who is a respected proctologist (there's a joke about bassist and their strong fingers, someplace in there).
The selection of songs was great. Ian played many songs that he seldom or maybe had never played. He opened with his flute, playing to a backing track. It was representative of all things Tull and Anderson (at least in latter years), sort of an "Ian Tull Overture." After that, the first song he played was "Life's A Long Song." I was blown away, since that is not a well-known song, and is one of my most favorites. The next song was "Skating Away" - another one of my favorites. If I had to narrow it down to two songs that I'd want to hear, those would be them. He also played, "Fat Man," "Christmas Song," "Cheap Day Return," "Mother Goose," an excerpt from "Thick as a Brick," and several of his own songs. And a jazzy version of "Locomotive Breath."
One audience member asked Ian about his voice. He had surgery for polyps, back in the mid-eighties, and his voice hasn't been the same since. I've thought it's been improving, slightly, and Ian confirmed that. He explained that the throat muscles are used quite differently for singing than they are for playing the flute, and that is quite hard on his voice. When he is recording, he won't even sing and play the flute on the same days. He has no such luxury when he is touring, though.
An answer to another question dealt with his desire to be a policeman, which was sidetracked by his budding musical career.
Ian once injured his wrist, and it still bothers him sometimes. Because of this old injury, handshakes can cause him pain that can linger for a while, so he has taken up the elbow rub as his form of greeting - hence the name of the tour. It did sometimes look like a square dance step, though.
Another thing Ian is doing on this tour, is inviting local musicians to play. Daryl Stuermer and Willy Porter played songs. Steurmer plays with Genesis on tour, and with Phil Collins both on tour and in the studio. He is good. Just a little dull (like he's learned too much from Phil Collins) but very good nonetheless. His song featured the lone electric guitar for the evening. Willy Porter has toured with Tull (and has played with Tori Amos), and Ian plays on a song on his latest record. They played that one. It was just Willy and Ian. Willy is an amazing acoustic guitarist, but he also has an awesome voice, and is a great songwriter.
The intimate setting seemed to give certain loud people the idea that they could shout anything they wanted and Ian and the whole audience would hear, and enjoy their humor. If it were a loud rock concert, they would hardly be heard, and I could have ignored them easily, but it wasn't and I couldn't. And there was an embarrassing episode near the end of the first half, that involved a pushy local "celebrity" who changed the focus of the show from Ian to himself for about ten minutes. And through the whole second half, someone was breathing on me. It was not pleasant. All of that almost ruined the show for me.
The show got a bit rushed at he end, as they ran out of time. The conversation ended up taking more time than they expected, I'd guess, and it was the first show of the tour, and they had a lot of bugs to work out, and things to refine. I would recommend the show, highly, to any hardcore Tull fan.
"After 35 years of being THE flute player in rock music to a lot of people," he said, "I have to regard it as personal failure that it has not inspired hundreds of others."
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no subject
Date: 2002-10-09 09:52 pm (UTC)From:"Skating Away" is one of my all-time favorites, too.
no subject
Date: 2002-10-10 07:38 am (UTC)From:Do you have a favorite (overall) Tull recording? I confess I don't have anything beyond 'A', but if forced to do so, I'd name 'Stand Up' as my favorite, with 'Songs From The Wood' a close second...(or maybe a tie)
no subject
Date: 2002-10-10 07:42 am (UTC)From:no subject
Date: 2002-10-10 07:56 am (UTC)From:Minstrel's another fave...
no subject
Date: 2002-10-10 10:20 am (UTC)From:no subject
Date: 2002-10-11 10:32 am (UTC)From:I've got a couple of files to send you.
Re:
Date: 2002-10-11 10:53 am (UTC)From:How big are the files? I only ask b/c my inbox is 96% filled atm, so I'll make room if need be.
no subject
Date: 2002-10-11 02:32 pm (UTC)From:And one song at 2.4K - the one I told you about, by my friend's band.
I can't check my home e-mail from here where I have the files.